Beat Lab

Take the Next Step: From "Listening" to "Creating." A 12-session creative lab (90 minutes each).

Have you ever listened to a song and thought, "How did they make this?" "How did they create this feeling?" That curiosity is where making music begins.

At SRCFLP Beat Lab, we explore DTM, beatmaking, and sound design through Ableton Live—not just by learning techniques, but by developing your own way of listening, creating, and expressing yourself.

Through making, sharing, and exchanging feedback, you'll gradually discover your own creative process and relationship with sound.

Here, expanding the way you experience music is just as important as learning the tools.

Once you understand how music is built, the way you hear it changes.

The beats, grooves, textures, samples, and structures behind the songs you love start to reveal themselves. Music becomes something you don't just consume—you begin to see the choices, ideas, and creativity behind it.

And when you experience music as both a listener and a creator, everyday listening becomes deeper, more exciting, and full of new possibilities.

Maybe you want to... "I want to start making music." "I want to explore beatmaking." "I want to create my own original tracks." "I want to make music for YouTube, social media, dance, or video projects." "I want to perform my own music through DJ sets or live performances."

Whatever your starting point, we meet your curiosity where it is—making, sharing, experimenting, and refining your ideas together. Through this process, you'll develop a creative style and musical voice that is uniquely your own.

\ Apply here /

What You'll Learn What You'll Learn

What you'll take away from this program

KNOWLEDGE

Production skills

Ableton Live fundamentals

Sampling

Sound design

Mixing fundamentals

Designing live performance workflows

PRACTICE

Learning how to listen

Understanding groove

Rhythm, repetition, and variation

Developing your sonic palette

Sampling as creative practice

Finding your own sound

MINDSET

Thinking like an artist

Finishing tracks

Giving and receiving feedback

Analyzing reference tracks

Building a creative practice

Creative work in the age of AI

RESULT

What you'll walk away with

Finished original beats or tracks

Your own production workflow

Confidence using Ableton Live

Community and collaborators

Confidence to keep going

Standard Course

Start with the fundamentals—a three-month journey to develop your skills, workflow, and creative foundation.

Also a great fit for…

  • Dancer
  • Filmmaker
  • Photographer
  • Apparel brand
  • Podcaster
  • YouTuber
  • Café or shop owner
  • Installation artist

PRICE

¥39,600(tax incl.)

3 months / 12 sessions total

*¥13,200 per month (tax incl.)

1 session = 90 min

60-min session +

30 min free production / feedback

*Preferred day and time can be discussed when you apply.

*Small groups of up to 3 participants.

Learning Journey

MONTH 1

Phase 1

Foundation & Rhythm

Build Ableton Live fundamentals and develop your sense of groove

MONTH 2

Phase 2

Sound Identity

Sound design and developing
your own sonic identity

MONTH 3

Phase 3

Completion & Creative Direction

Completing your projects and shaping
your production style moving forward

\ Trial lessons available! /

JOIN BEAT LAB

Continuing Lab

A continuing program for graduatesAfter the basics—develop your own sound.

After completing the 3-month course, Continuing Lab is for those who want to keep making music, refining their process, and growing as creators.

Go deeper into music making—explore new techniques, experiment with ideas, share works in progress, and continue creating at your own pace while exchanging feedback and inspiration with fellow artists.

Who it's for

  • Want to maintain a consistent creative practice
  • Find it difficult to keep creating alone
  • Want ongoing feedback and new perspectives
  • Want to discover new sounds and approaches
  • Want to go deeper into their music-making journey

Days and times are generally fixed, but we can adjust depending on your schedule. Feel free to ask.

PRICE

¥13,200(tax incl.)

4 sessions per month

1 session = 90 min

60-min session +

30 min free production / feedback

What's included

Ongoing Ableton Live practice

Beatmaking

Sound design

Mixing and arrangement feedback

Feedback on works-in-progress

Listening Session

Showcasing & Feedback

Live performance exploration

Creative Discussion

For deeper one-on-one creative exploration, we also offer personalized support tailored to your projects and artistic goals. Get in touch to discuss how we can work together.

Production support

Creative check-ins

Live set development

Artistic direction consultation

Artist statement support

Artist bio & profile support

Release planning & digital distribution support

Beat Lab showcase opportunity

Live video & audio recording support

\ Apply here /

JOIN BEAT LAB

Meet Your
Instructor

SRCFLP

(Source Flip)

Beatmaker / audiovisual artist

A Japanese American artist raised in Los Angeles from the age of two, he began making music within LA's diverse musical landscape and multicultural environment. He relocated to Okinawa in 2023, where he is currently based.

During university, he began DJing, producing music, organizing events, and building toward the launch of his independent label. Through an internship at Ubiquity Records, he gained insight into the music industry while developing his own creative practice. Alongside his work as a producer and label founder, he performed as a MC/rapper for audiences of tens of thousands, refining his craft through both production and live performance.

As a beatmaker, he has performed at influential underground events including Low End Theory, a landmark of LA's beat culture. Drawing from Hip Hop, Bass Music, Minimal Techno, and Experimental Sounds, he continues to develop a distinctive sonic identity. In recent years, he has presented immersive performances combining music, visuals, and spatial design in Boston, Tokyo, and beyond—centered around his signature Machine-live approach using Ableton Live, samplers, and synthesizers.

He is currently a researcher at the MIT Spatial Sound Lab, where he studies spatial sound with cultural anthropologist and lab director Ian Condry. Alongside his research, he continues to create and present audiovisual performances, projection mapping works, and media art installations.

MESSAGE

Whether you're new to DTM or already making music, you're welcome here.

Beatmaking is something you learn by doing, so let's start by making sounds together.

Lessons are available in Japanese and English.

If there's a sound you're chasing or an artist who inspires you, tell me. I'd love to explore it together and help you discover your own groove and production style.

I hope this class brings people together to make music, and that new ideas, friendships, and collaborations grow naturally from it.

Beyond music, I continue my research in spatial sound and immersive media, but at the heart of everything I do is a curiosity about how people create.

I hope Beat Lab is not just a place to learn music, but a place where new ideas, connections, and creative expression can grow.

Let's make sounds, ask questions, and discover new possibilities together.

Studio Location

SRCFLP Beat Lab is also available online.

SRCFLP Beat Lab is based in Maeda, central Okinawa, near the famous Blue Cave. Surrounded by the sea and nature, it's a place designed for focused, uninterrupted creative work.

The studio is equipped exclusively with gear I've selected and relied on through more than twenty years of producing and performing.
From samplers, analog and digital synthesizers, and semi-modular instruments to vinyl, CDs, and cassette tapes used as sampling sources, every piece has earned its place through real-world production and live performance.

"Why use this gear?"
"Why choose this sound?"
"How do you create more with less?"

These are the kinds of questions we explore together.
Rather than giving you fixed answers, Beat Lab is about helping you develop your own instincts, taste, and creative direction through practice.

Beat Lab is more than a place to learn Ableton Live. It's also a space to explore ideas shaped by underground music culture, together with the perspective I've developed through performing around the world—and how those experiences can inform your own approach to music production and live performance.

Beyond software and technique, it's a place to explore rhythm, sound, performance, and creative expression.

FAQ

Q. Can I join if I'm new to DTM?
A. Yes. You'll learn from the basics of Ableton Live, so first-time DTM and music production participants are welcome.
Q. Can I join with no beatmaking experience?
A. Absolutely. You'll learn beatmaking fundamentals and progress at your own pace.
Q. What software do you use?
A. We use Ableton Live. Lessons are structured around Ableton Live.
Q. What gear do I need?
A. Please bring a computer that can run Ableton Live. You don't need expensive gear from the start. We can recommend equipment and how to get started as needed.
Q. Do I need to buy Ableton Live?
A. Yes. We recommend having Ableton Live for ongoing production. If you're unsure which edition to choose, we're happy to advise.
Q. Can I join with a friend?
A. Of course. Joining with someone who shares your goals helps with motivation. Giving each other feedback on works can also lead to new discoveries.
Q. Can I participate online?
A. Yes. Online participation via Google Meet is available.
Q. What kinds of music is this for?
A. We focus on beatmaking, Bass Music, Hip Hop, Electronic Music, and Experimental Sound, but the skills apply to music production with Ableton Live in general.
Q. Is there an age limit?
A. No. Participants range from elementary school students to working adults.
Q. Can I use Mac or Windows?
A. Yes. Any environment where Ableton Live runs is fine.
Q. Do you offer a trial lesson?
A. Yes. We offer a 60-minute trial lesson for ¥4,000. Through a mini lesson and consultation, we'll clarify your current level, goals, and the expression you're aiming for. If you enroll in a course after the trial, the ¥4,000 will be applied toward tuition.

COME JAM
WITH US!

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